Les Mis’ Fire

My wife and I just saw the theater version of Les Misérables.

Wow.

Now, we just saw the Broadway musical version two months ago so the story and music were still fresh in us. Actually, we had both seen the musical first in London, and, unbeknownst to either one of us at the time saw it in the same summer in the early 1990s.

I will not attempt critical review of the movie (my wife’s the pro in that area), but I will say that, aside from what I considered to be some gratuitous sexual scenes (though even these served to manifest the macabre decadence of the protagonists’ world), I thought overall it was an exceptional piece of film art.

Fiery Core

What I will share is the power of the story’s core vision: that self-sacrificing merciful love triumphs in the end over the violent brutality of sin and death. Now, even as I write those words I realize immediately how such abstractions as ‘sin’ and ‘death’ at once siphon the fiery power of meaning that narratives — fueled by magnificent music — alone can bear in the deepest recesses of the human soul. While abstractions can illumine the mind, narratives infest, invade and inhabit the imagination and have the power to rewrite our own inner “master narratives” in life-altering ways.

Phoenix-like

So many thoughts to share; so many insights! But there was one aspect of the story that particularly gripped me this time around. The great heroes and heroines of Les Mis all find their voice of greatness precisely in the midst of the most dire adversity, rising (literally) out of the rotting sewage of human waste where divine mercy appears. The saints in Les Mis come from, and return to, those most hellish places where no person of good repute would ever dare venture; no person, that is, save those who have themselves tasted of God’s unimaginable condescending and co-suffering love.

This staggering epiphany reminded me at once of the unbroken Christian tradition of canonized sanctity that pulses at the heart of the Christ-story: in God’s economy light shines brightest in the midst of darkness, love appears strongest in in the midst of hate, life appears immortal in the midst of death, purity appears resplendent in the midst of filth, and gentle mercy appears fiercest in the midst of the most brutal violence that breathes deep the sulfurous vapors of hell. In other words, the heavy crosses of life are the prime conditions for the fullest appearing of the divine in human history. This is the folly of the Cross that indelibly marks the providence of God; a providence that theology calls redemptive.

All this gives Christians a cause for hope in the darkest night and it alone can set us apart from every other creed. If we fail to dare embrace this Christian creed, we should not dare claim to be bearers of hope in the Christ who has come.

7 comments on “Les Mis’ Fire

  1. Kinsi says:

    We are greatly anticipating seeing this film for ourselves! We have a double date scheduled for it already. I do dread the “gratuitous” scenes you’re talking about, though. It just seems like Hollywood will take any opportunity to be graphic, and geez- some things are just more powerful when left to the imagination.

  2. Bill says:

    The gratuitous scenes are not what you may imagine. I wouldn’t take a 14-year-old to see Les Mis the movie, but I don’t think those scenes will be a problem for (most) adults. Yes, they certainly do serve to “manifest the macabre decadence of the protagonists’ world” and at the same time they aren’t going to be an occasion of sin for (most) viewers. I’ve seen way more salacious stagings of Shakespeare plays.

    • Well said! Thanks for the comment, Bill.

      • Bill says:

        I guess I could have added two things. One, the first incident is more of a rape, in my opinion. It would be a sad human being who became aroused by what happens. Second, there is absolutely no exposure of body parts in either of the two scenes that I suppose count as sexual content. I wouldn’t call the second incident “chaste” by any means, but it isn’t porn either.

  3. […] My wife and I just saw the theater version of Les Misérables. Wow. Now, we just saw the Broadway musical version two months ago so the story and music were still fresh in us. Actually, Source: Neal Obstat Theological Opining   […]

  4. Bill, precisely what I chose the word gratuitous over porn, i.e. over the top vs. sexually degrading. You’re spot on in my view.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s