Today’s Gospel [March 9, 2012] about the vineyard leased to murderous tenants led me to reflect on the mysterious role that violence plays in the coming of God’s Kingdom to humanity. From the time of Cain, man, created in the image of God, has sought to banish the divine image from the world and put in its place idols of our own making. The grotesque logic of the crucifixion of Jesus plays out to its full the logic of sin, as on the Cross humanity is finally given the opportunity to slay the rejected Image; and so reject the Archetypal Father. I’ve always thought that was the meaning of the enigmatic saying in Revelation 13:8, that describes Jesus as “the Lamb slain from the foundation of the world.” Man, and the seducer of man, sinned “from the beginning.” All sin is an attempt to slay the rejected divine Image, the Son of God (cf. Colossians 1:15). Jesus came into the world to “reveal man to himself,” and by so doing to illumine our disfigurement that he might reconfigure and transfigure us into his own glorious Image: self-giving love.
But alas, “every one who does evil hates the light, and does not come to the light, lest his deeds should be exposed” (John 3:20). Man is a great mystery, a tortured blend of beauty and filth. As Blaise Pascal memorably said it is his Pensées:
What a chimera, then, is man! What a novelty! What a monster, what a chaos, what a contradiction, what a prodigy! Judge of all things, imbecile worm of the earth; depository of truth, a sink of uncertainty and error; the pride and refuse of the universe!
Who will unravel this tangle? What, then, will you become, O men? Know then, proud man, what a paradox you are to yourself. Humble yourself, weak reason; be silent, foolish nature; learn that man infinitely transcends man, and learn from your Master your true condition, of which you are ignorant. Hear God.
It’s all so utterly astonishing to reflect on, and provides not only a window into our truest selves, but a dazzling portal through which we peer into the deepest character of a God who loves our mess. As St. Catherine would put it, God in Christ appears as pazzo d’amore; ebbro d’amore, “crazed with love; drunk with love.” And as it is with Christ, so it is to be with us.
We live in a world drenched in violence, even though it is often disguised by soft sounding virtues or lawless liberties that conceal bloodshed beneath clever and deceptive euphemisms. I need not name them, they are so obvious. If we can believe the redemptive crucifixion means anything, it seems to mean that God’s redeeming love prefers to encounter naked violence, violence that shows its true nature, rather than hiding itself beneath softly smiling apathy or murderous indifference. These are, in the words of Hannah Arendt, epiphanies of evil’s pathetic apogee: banality. George Studdert Kennedy’s poem, When Jesus came to Birmingham, captures this wonderfully:
When Jesus came to Golgotha, they nailed Him to a tree.
They crowned Him with a crown of thorns, red were His wounds—and deep.
For those were crude and cruel days, and human flesh was cheap.
When Jesus came to Birmingham, they only passed Him by.
They would not hurt a hair of His, they only let Him die.
For men had grown more tender, they would not wish Him pain.
They only passed down the street, and left Him in the rain—the winter rains that drenched Him through and through.
And when all the crowds had left the street.
Jesus crouched against a wall, and sighed for Calvary.